The film, which turned actor John Travolta into a global superstar, told the story of Tony Manero, a 19-year-old from Brooklyn going nowhere fast, whose. Stayin' Alive (From 'Saturday Night Fever' Soundtrack). It was 44 years ago today (December 16th, 1977) that Saturday Night Fever opened nationally. The double LP featured 6 contributions by the Bee Gees and 11 contributions by others that ranged from the great (The Trammps’ Disco Inferno) to the unspeakable. The real sensation was the first single, " Dancing Queen ", not only topping the charts in loyal markets like the UK, Germany, Sweden, several other western and northern European countries, and Australia, but also reaching number-one in the United States, Canada, the Soviet Union and Japan, and the top ten in France, Spain and Italy. Stayin' Alive (From 'Saturday Night Fever' Soundtrack) - Bee Gees mp3. Saturday Night Fever became Thee Official Soundtrack of disco people of all colors and sexual orientations everywhere, as its 15x platinum certification amply demonstrates. VIDEO: Night Fever Promo The Bee Gees were inducted into the Rock and Roll Hall of Fame in 1997. The Bee Gees will forever be remembered as they appear on the cover of the soundtrack for Saturday Night Fever (1977)all white jumpsuits, gleaming teeth, tans, medallions and long locks.
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Hit after hit flowed from Arrival: " Money, Money, Money ", another number-one in Germany, France, Australia and other countries of western and northern Europe, plus number two in the UK and, " Knowing Me, Knowing You ", ABBA's sixth consecutive German number-one, as well as another UK number-one, plus a top five hit in many other countries, although it was only a number nine hit in Australia and France. The trio’s recording of the soundtrack for the 1977 film Saturday Night Fever kick-started an even more commercially successful second life for The Bee Gees, courtesy of huge disco favourites Stayin’ Alive, Night Fever, and How Deep Is Your Love.
The group's fourth studio album, " Arrival ", a number-one best-seller in parts of Europe, the UK and Australia, and a number-three hit in Canada and Japan, represented a new level of accomplishment in both songwriting and studio work, prompting rave reviews from more rock-oriented UK music weeklies such as " Melody Maker " and " New Musical Express ", and mostly appreciative notices from US critics.
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